Early Renaissance Art

Renaissance art is divided into two primary areas. Early Renaissance art had distinct characteristics that separated it from later developments. It began to emerge in Florence during the first decade of the 15th century. Building upon ‘Proto-Renaissance art’, which refers to the era just before renaissance art and was, in many ways, the foundation built on top of Medieval art that sculpted Renaissance art. It took from traditions of Byzantine, or Gothic art and pushed the movement into a new area. Artists like Brunelleschi, Donatello and Masaccio instigated a series of discoveries and improvements in all the visual arts, from architecture, sculpture, and painting. This revolutionized the face of art in Italy and beyond. Even though it eventually spread throughout Italy, the Early Renaissance was centered in Florence and primarily funded by the Medici family.
The Medici family were wool merchants and bankers and were incredibly wealthy. At that time in history and in Italy, power revolved around the major merchant families so it is no surprise that through their patronage, the Medici’s essentially funded the start of the Renaissance movements. The Medici family even produced four Popes and two Queens and they dominated their city’s government. Through this, they were able to bring Florence under their family’s power and created an environment in which art and humanism flourished.
So, with the aid of the Medici family and a new desire for change, Florence shook off the old ways of thinking, from religion, philosophy, and art. The reasons in general still remain fairly unclear as to why this shift happened but a change was desperately needed. The general theme that they then modeled themselves from actually originated out of a desire to bring back classical techniques. This was called Classical Antiquity and it was because they believed that Greek and Roman art was the absolute pinnacle of artistic worth. This also expressed the new ‘mood’ which arose in Italy at this time. This mood or desire called for a shift to a more human-focused art and not necessarily just religious representation. This was referred to as Humanism. Humanism was a way of thinking which attached more importance to Man and less importance to God. Although Christianity still remained the primary religion, Humanism just reinterpreted it to give it a human, relatable face. For example, religious figures like Evangelists, Saints, Apostles, and the Holy Family were portrayed as real people and not stereotyped, idealized figures. Humanistic philosophy placed Man at the center of things and in the visual arts, this led to a close study of the human body, a significant return to nude forms and then, leading on from this, a preoccupation with nature in all its forms.
In keeping with this new ideal of Humanism, Early Renaissance painting really strove to achieve greater realism in all their works. In contrast to the flat, stiff images of Byzantine art, human faces became more life-like, bodies were painted in more realistic postures and poses and figures began to express real emotion. At the same time, great efforts were made to create realistic depth in paintings using scientific perspective. With this greater interest in realism now a driving factor, artists had to really dive into the proper study of light, shadow and human anatomy. Although significant advances were made in these areas during the early and mid-15th century it wasn’t until the late Renaissance period that these techniques were mastered.
What is also important to note is the shift in the subject matter. Although most works still represented religion and stories from the Bible, Early Renaissance artists also introduced narratives and characteristics from Classical mythology. This illustrated their beliefs but it is noteworthy that during Medieval times, everything about Greek art and mythology was perceived as being pagan and despised for it. In the Renaissance, Greek art and mythology were associated more with enlightenment. This more than anything represents how times were changing. Early Renaissance art really was, more than anything that came before it, a real start for the practice of art and people were swiftly becoming more aware of its importance in all facets of life.

Medieval Art and the Middle Ages

Medieval art is a term that encompasses a general period of economic and social stagnation in Europe and the Eastern Mediterranean. It spanned roughly from the fall of the Roman Empire in 476 AD to the early stages of the Renaissance in the 1400s. Though art historians debate the exact styles and chronological separations in the Medieval period, it is generally accepted that it is divided into three sub-categories. These were Early Medieval Art or Byzantine Art, Romanesque Art and Gothic Art.

There was very little evolution during this period and much of the knowledge gained from the Romans and Greeks were discarded and destroyed. This was because they represented a belief in a pantheon of Gods, as opposed to the singular creator that represents Christianity. The evolution that did occur was through mankind addressing Biblical subjects, Christian dogma and
combining it with Classical mythology. During the Early Middle Ages, the Catholic Church funded many projects and the oldest examples of Christian art survive in Roman catacombs or burial crypts beneath the city. By 350 AD, the Church had two primary power hubs, Rome in the West and Constantinople in the East. Constantinople was also the capital city of the Byzantine Empire.

This played quite an influential role in the evolution of Medieval art and the Byzantine period. However, despite this seeming progress, this age of art is generally also referred to as the ‘Dark Ages’. This is the period of time from 500 to 1000 AD. The main form of art produced here is called Byzantine art and originated from the Eastern Roman Empire. Byzantine art was characterized by its lack of realism. The artists did not try to make their paintings realistic but
focused on the symbolism of their art. Paintings were flat with no shadows and the subject matter was usually very serious and somber. The subjects of the paintings were almost entirely religious with many paintings being of Christ and the Virgin Mary. After this period came the Romanesque art phase, which began around 1000 AD.

The Romanesque art movement lasted around 300 years. The focus here was much the same as the Dark Ages, with religious subject matter being at the fore. However, they explored other areas like stained glass detailing, large murals on walls and domed ceilings and carvings on buildings and columns. Following immediately from this was Gothic art. Here we see a move towards more realism, with proportion and perspective being more closely examined. The
Gothic artists also used brighter colours and began to play more with shadow and light. With these new techniques, they found themselves more interested in trying varied subject matter and themes, shifting to include mythical scenes in their art, as well as religious representation.

It is important to look at all facets of life during this time and acknowledge that the majority of literature from this time also focused heavily on religion. Most people who were literate were clerics and monks. Very few people knew how to read and write and relied on these figures to relay information to them. It is only natural then that the perception of knowledge was very much skewed to show but one side of the coin. The reason this era was called the Dark Age was because of the lack of progression. People were not taught to think for themselves and relied only on the word of others. Past cultures were even seen as being ‘Pagan’ and thus to be feared and destroyed. Progress simply halted because there was nothing to be learned from the past and no way through the lack of information. It was only when the bloom of the Renaissance took hold that more and more people had the skills to question and critique the world around them.

After Ancient Art

Somewhere between Ancient Roman art and Cubism lies a period of art that we consider to be the relative middle section. This comprised of a few movements and for the most part, saw development within the era that was inspired in and of itself.
Many of the movements in this ‘in-between’ period fed off of each other and in some cases, there isn’t a lot of separation at the start. Though there is an organic flow between these periods, they do still carry their own unique qualities and can be identified as stand-alone movements through this. Within this time frame, which started around the 5th century and lasted until nearly the 19th century, which is a substantial amount of time, there were roughly six primary movements involved here and we will cover them all in more depth as standalone essays but for now, let us briefly cover the general timeline.
Medieval Art and the Middle Ages
Art during the Middle Ages was different based on where in Europe it was being made. However, in a general sense, it can be divided up into three main periods and styles – Byzantine
Art, Romanesque Art and Gothic Art. Much of the art in Europe during the Middle Ages was religious art with Catholic subject matter and themes. The art covered here included work like painting, sculpture, metalworking, engraving, stained glass windows and manuscripts.
Early and High Renaissance Art
The End of the Middle ages is often hailed as the start of the Renaissance Period. There was a large shift in art with the start of Renaissance art. Many of the new ideas and attitudes that marked the Renaissance times were portrayed through the art. There was a larger focus on human interests, needs, and abilities. This new idea changed how artists painted their subjects as well as the choice of subjects they painted. Renaissance art is often divided up into two periods. Early Renaissance, which saw artists trying to emulate classical artists and a focus on creating the perfect form and High Renaissance, which gave art even more room for realism
through a rising interest in perspective and space.
Mannerism can be a confusing term and is subject to radically different interpretations. It is a 16th-century art movement that created highly artificial compositions that showed off their
techniques and skills in manipulating compositional elements to create a sense of sophisticated elegance. However, it is generally used to describe the art in Italy that directly followed from the Renaissance, preceding the Baroque era. Paintings in this era were large, complicated and
filled with such an abundance of human forms that it was almost too difficult to view without being overwhelmed. For many years Mannerism was said to be negative because the association with it held a disturbing psychological tension but around the mid-20th century, Mannerism was equated rather with exceptional skill.
Baroque Art
The Baroque is a period of artistic style that started around 1600 in Rome, Italy. It spread further
after this to the majority of Europe during the 17th and 18th centuries. In an informal way, Baroque describes something that is elaborate and highly detailed. Baroque was closely linked to the Catholic church and primarily communicated religious themes. The style is characterized
by exaggerated motion and clear details that produce a sense of drama, exuberance and grandeur through the use of sculpture, painting, architecture, literature, dance and music.
Baroque iconography was direct, obvious and deliberately dramatic and it attempted to appeal, above all else, to the senses and the emotions.
Rococo Art
Rococo art follows directly from Baroque and in fact, overlaps it somewhat. Highly inspired by the Baroque movement, Rococo developed in the early 18th century in Paris and is characterized by soft colours and curvy lines. Rococo scenes often depicted scenes of love, nature, amorous encounters and light-hearted entertainment and youth. After the death of Louis XIV the French court moved out of Versailles palace and back to their old Parisian mansions, choosing to adopt a softer and gentler style than that of the late king. The style is characterized by its asymmetry and elegance and had more of a sense of whimsy than Baroque art did.
Neoclassical Art
Neoclassicism was a direct opposition to the frivolous nature of the Rococo movement. Artists involved with the Neoclassical art movements believed that art should be cerebral, not sensual and that a strong drawing was more rational and therefore, morally better. At this point in history, France was on the brink of its first revolution and the Neoclassicists wanted to express rationality and seriousness that was fitting for their times. Before this point, the French
monarchy had nearly driven the country into the ground with their self-interest and extravagant lifestyles. Thus the natural response was to steer away from that and produce work that showed more moral strength. Neoclassicism was a child of the Age of Reason, also referred to as the Enlightenment. Here philosophers believed that we would be able to control our destinies by learning from and following the laws of nature. It is from these ideals that Neoclassicism grew. It is characterized by its clarity of form, sober colours and strong horizontal and vertical lines.

Ancient Islamic Art

Islamic art will typically encompass all visual arts produced from the seventh century onwards by culturally Islamic populations. It is not art from a specific region, time or place and is not encompassed by a single medium. It spans across about 1400 years and covers many lands, populations and includes a wide range of artistic fields from architecture to calligraphy, painting, glass ceramics, and even textiles, among others.

One of the key identifiers of Islamic art is that it does not usually show the human form. Unlike other religious arts, Islamic culture believes that the depiction of the human form is idolatry and is thereby a sin against God. It is forbidden in the Qu’ran, which it the central text of Islam. Calligraphy and architectural elements are given more important religious significance in Islamic art for this reason. However, despite this, it is a misconception to say that all Islamic art is free from figurative representation. Most of it is because most of it stems from religious or public spaces. In secular, private areas, one has a bit more freedom to explore. The areas where this is a bit more gray is usually in secular, or non-religious representations of Islamic art. Depictions of the human form can be found in these instances. Often private residences of sovereign rulers were filled with vast figurative paintings, mosaics, and sculpture.


Islamic art also developed from a variety of sources. From Roman art and early Christian influences to Byzantine styles. Even the influence of central Asian styles brought by various nomadic excursions can be seen in Islamic painting, pottery, and textiles. In general, however, Islamic art encompasses the visual arts produced from the seventh century onwards by both Muslims and non-Muslims who lived within territories that were inhabited or ruled by a culturally Islamic population. It is thus a very difficult art to define because of how wide spread it was. Islamic art is not necessarily restricted to religious representation and can include art from all manner of different, culturally rich walks of life. Because figurative representations were and still are generally forbidden in Islam, the written word takes on religious meaning in art through calligraphic inscription. Calligraphy and the decoration of manuscript Qu’rans is an important aspect of Islamic art as here the written word takes on the religious and artistic significance, instead of a figure meant to represent a god or angels.



Islamic architecture is also particularly important to look at. Architecture such as mosques are embedded with religious significance. There are repeating elements in Islamic art and architecture. Wall decorations or murals will typically be stylized, feature geometric floral or vegetative designs in a repeating pattern known as the arabesque. The arabesque in Islamic art is often used to symbolize the transcendent, indivisible and infinite nature of God. Some scholars believe that mistakes in these patterns may be a deliberate show of humility by artists who believe that only God can produce true perfection. This carries through to many different iterations of their craft, from an imperfect stitch in a carpet to a missed repetition on the decoration of a vase. The focus primarily in Islamic art was on the depiction of patterns and calligraphy.




One of the most famous monuments of Islamic art is the Taj Mahal, a royal mausoleum which is located in Agra, India. Hinduism is the majority religion in India however because Muslim rulers dominated large areas of modern-day India for centuries. As such, India has a vast and dynamic range or Islamic art and architecture. In general, Islamic empires and dynasties controlled territories from Spain to Western China at differing points in history. However, few artists from these areas would have labeled themselves as Islamic artists. An artisan from Spain would have just been a Spanish painter. As such, it makes it difficult for art historians to use the term “Islamic Art” as an umbrella term. Places like the Metropolitan Museum of Art have decided instead to omit the term “Islamic” from their new galleries. They will instead call them things like “Galleries for the Art of the Arab Lands, Turkey, Iran, and Central Asia.” This stresses more the regional styles and individual cultures associated with Islamic art. Despite this, there are still themes and types of objects that link the arts of the Islamic world together. Certain building types, for example, appear throughout the world. Mosques, gardens, mausoleums and religious schools can all be found across the Islamic world.


Byzantine Art

Byzantine art, architecture, paintings and other visual arts were produced in the Middle Ages in the Byzantine Empire, which was centred at Constantinople and in other various areas that came under its influence. The styles that emerged from this period were all particularly similar or homogeneous. It began this way in the 6ht century and continued on until Constantinople was captured by the Turks in 1453. Byzantine art was almost entirely concerned with religious expression and more specifically, with a very carefully controlled church theology. Essentially in that, the church controlled the artistic terms of the period. Its architecture grew out of this, as well as its paintings and for the most part, remained fairly uniform and anonymous.

In the Byzantine Empire, there was little to no distinction between artist and craftsperson. Both created beautiful objects for a specific purpose, whether it be a box to keep a precious belonging or an icon to stir feelings of piety and reverence. In addition, many artists were monks or priests, particularly the creators of illustrated manuscripts. An illustrated or illuminated manuscript would typically spread their gospel or scripture. Byzantine Christian art had a triple purpose. It beautified buildings, instructed the illiterate on matters of the soul and encouraged the faithful that were on the correct path to salvation.
Byzantine art was perfected within a structure of rigid tradition rather than the typical artistic approach, which deals more with whims and spontaneity. The result was a spirituality of expression rarely paralleled in Western art. The earliest kinds of Byzantine architecture developed in Italy and favoured the extensive use of large domes and vaults. This architecture is impressive, certainly, but is not well suits to wall arrangements. The circular nature of the domes and walls meant that more structured walls had to be built inside and followed a radial plan that allowed for art and frescoes to be placed on interior walls. This lent itself well to representing their hierarchical view of the universe. For example, the All-ruling Father would be placed in the top of the central dome and below him would be angels, archangels and on the walls, figures of the saints. The Virgin Mary was often pictured high up in a half-dome that covered one of the four radial arms. The lowest realm was that of the congregation. The whole church thus formed a microcosm of the universe.
The interiors of these churches would typically be decorated with lavish mosaics and frescoes. They served as static, symbolic images of the divine and the Absolute. The mature Byzantine style evolved through the stylization and standardization of late classical forms of Early Christian art. It was based on the lines and flat areas of colour rather than form. Individual features were suppressed in favour of a standard facial type. Figures were flattened and draped fabric was reduced to patterns of swirling lines. The total effect was one of the disembodiment of the individual. The three-dimensional representation of the human figure was replaced by more of a spiritual presence and this was represented in the strength of the line and brilliance of colour. Most figures were shown as being frontal facing with large eyes and a gaze that could be described as penetrating. Gold was also often used in the background. Very little sculpture was produced in this era but those that were made were small relief carvings, usually in ivory. These would be used for book covers, reliquary boxes and other similar objects. Miniature arts, embroidery, gold work and enamel work were highly prevalent in the upper-class societies of Constantinople. The Byzantine people were able to spread their style and iconography throughout Europe through the use of manuscript illumination. It showed just a hint of what was displayed on the impressive walls of cathedrals and churches.
 The historical effect of the Byzantine era cannot be overlooked or overestimated. Because the Byzantine style was spread to Italy and Sicily, it had significant influences on Italian Renaissance art, which followed shortly after the end of the Byzantine era. Overall the Byzantine Empire was continuously expanding and shrinking over the centuries but the last impression of their art is important to acknowledge. They connected man to the divine in ways not truly seen before.

Ancient Indian Art

India has a rich and complex history spanning thousands of years. India was the only major Asian
culture known to have been visited by the Ancient Greeks and Romans. As such, they have carried
with them this air of mystery and exoticism throughout time. Many Asian cultures were often seen
this way, as somehow exotic and mysterious. However, this is just because their works have always
been different from what was being made in the rest of the world and as a culture, they function
differently to the West. Their artworks reflect this and are both unique and exuberant.

Indian art as a whole refers to the different artistic expressions created in the historical regions of the Indian subcontinent, including modern-day India, Bangladesh, and areas of Pakistan and Afghanistan.
It covers several art forms, historical periods and influences. Archeologists have found evidence of
prehistoric rock art in India, an early art form consisting of carvings or drawings on cave rocks. Some
of the oldest examples are called the Bhimbetka petroglyphs found in central India and are believed
to be at least 290,000 years old. In very similar ways to Southern African rock art, many of the ancient
Indian rock art examples also feature representations of animals and humans. The oldest examples of
these date from about 7000 BCE.

Traditional Indian art usually had a religious character that was depicted and Buddhism, Hinduism and
later Islam, have been a common theme throughout the centuries. The pieces often feature
mythological, human and animal forms and had elaborate ornaments. Unlike other areas influenced
by Islam, Indian art never abandoned figurative representations. Architecture in ancient India focused
mostly on religious buildings. Many Hindu temples featured very distinctive towers in the form of
truncated pyramids and had elaborate ornamentation with hundreds of sculptures.

Buddhism originated in India at some point during the 6th century and this very much influenced the
art that was being made. Religious artists made sculpture pieces from stone and bronze. They also
produced magnificent examples of Indian cave art, with entire temples being carved in stone and
decorated with Greek-influenced columns and sculptures. By the 5th century CE, sculpture was a
common practice among Indian Buddhists and Hindus. What is unique here is that the general area of
India and surrounds is the home of several of the world’s major religions, so it’s not really surprising
that most of India’s art is centered on religion. Around 300-200 B.C., the Buddhists began to erect
large stone pillars at important places. These pillars were often topped with a figure of a lion. The lion
was a symbol of power for Indian rulers. Other pillars had figures such as lotus’s, bulls and elephants.
Hindus also made carvings of the gods that were shaped like humans but often with many arms or
heads to show that they could take different forms. In northern India, these images were carved into
rocks. In southern India, they were made into bronze statues. When Islamic rulers took over North
India, they forbid the worship of carved figures shaped like humans so many of them were destroyed.
Hinduism continued to be the focus of art creation for centuries, with sculptures of Shiva and other
deities as well as huge stone temples like the Kandariya Mahadeva Temple, built in the 11th century.
India became a British colony in the 19th century, which had a big impact on their art. The British
established art schools that promoted European styles in the country but ironically, back in Europe
there was a large demand for Indian art objects. This resulted in local artistic traditions merging with
foreign influences. After India’s independence in 1947, artists have searched for new styles.
Contemporary Indian art has been international in its scope and very experimental and it is deeply
seated in a long and rich history.

Ancient Japanese Art

Ancient Japanese Art includes a wide range of styles and expressions, ranging from ceramics, sculpture, painting, and calligraphy on silk, paper, woodblock print and more. It has a long and rich history and begins around 10, 000 B.C. when humans began settling in the region. Historically, Japan has been subject to very sudden invasions of new and alien ideas. The term alien here refers to the “other”. In essence, everyone outside of Japan. It is appropriate to say this because Japan has, both geographically and culturally, were very different from their neighbors. Perhaps this is because they separated by a mass of water and as an Island, were quite isolated. Over time, the Japanese have developed the ability to absorb, imitate and assimilate those elements of foreign culture into their artistic preferences.

The first examples of complex art in Japan were produced in the 7th and 8th centuries and were linked to Buddhism. In the 9th century, Japan began to free itself from the cultural influence of China and developed indigenous forms of expression. From this point onwards until around the 15th century, both religious and secular art flourished. After the Onin War which lasted from 1467-1477, Japan entered a period of political strife both socially and economically. This lasted for well over a century and in the shift in political climate saw religious art fall somewhat to the wayside, with secular, representative art coming to the fore. With this came a development and interest in ink painting, calligraphy, poetry, literature, and music as forms of self-expression and entertainment.

Painting as an art style was and still is the preferred artistic expression in Japan. Even today, as they did in ancient times, the Japanese wrote with a brush rather than a pen and their familiarity with the use of the brush techniques has made them particularly sensitive to the aesthetic values of painting. With the rise of popular culture in the Edo period, the style of ukiyo-e woodblock prints became an important art form and its techniques were refined to produce colourful prints. These prints were used to spread information – everything from daily news to issues of school books. The Japanese have always thought that the use of sculpture was a much less expressive and empathetic way of making art as the use of sculpture in Japan had almost always been used in the service of religion and with the decline of traditional Buddhism, sculpture too fell away from the mainstream. The Edo period marked the triumph of political and military power of the Tokugawa, who moved the countries capital to Tokyo and closed all doors to contact with foreigners. Great attention to science and techniques was given in this period. It lasted from around 1603 till 1868. It is also known as the final period of Traditional Japan and was a time of internal peace, political stability and economic growth under the shogunate (military dictatorship.)

Something the Japanese are most well known for would be their ceramics. They are regarded as being some of the best in the world and represent the first known artifacts from Japanese culture. In this and in architecture, the Japanese have always expressed clearly their ancestral preference for natural materials and the harmonious interaction between interior and exterior space. This translates into the materials used to build their homes, the subject matter they chose to paint and represent and also the mirroring of natural elements into the interior space. Ancient Japanese art has grown and evolved in many different ways since the 7th century but none more so than in their own identity. They have undergone many shifts and changes throughout time and it has all influenced the way they make their art and what they make their art about. Moving away from religious depictions made room for more representations of nature and harmony and allowed them in more contemporary times to push boundaries freely and expressively

Ancient Chinese Art

The art that came from the Ancient Chinese was heavily influenced by the idea of all things natural and spiritual. In many ways, it shares characteristics with Japanese and Indian art. These are typically referred to in the umbrella term of Ancient Asian art. Yet each have their own unique characteristics and show the culture and history of its origins. They all start around 653 BC and end late into the grand scale of art history, coming to an end around 1900 AD. This was likely due to that being the start of man’s true industrial expansion. They also placed value on showing the stories of everyday people as opposed to revering those in power. We will explore the intricacies of Ancient Japanese and Indian art in further blogs but for now let us focus on Ancient Chinese Art.

Chinese art takes a great deal of influence from great philosophers, teachers, religious figures and political leaders. It covered a vast and ever-changing geopolitical landscape and the art it produced over three millennia is, unsurprisingly, just as varied. Despite continuous technical developments as well as changes in materials and tastes, there are certain qualities inherent in Chinese art which make it possible to describe in general terms. It also makes it possible to recognize no matter where or when it was produced. These essential qualities include a love of nature, a belief in the moral and educational value of art as well as an admiration for simplicity and the appreciation for accomplished brushwork. There was also a loyalty to much-used and loved motifs and designs, from lotus leaves to dragons. Chinese art has tremendously influenced its neighbors in East Asia. Its reach even extended across the world through their work in ceramics, painting and jade work.

Ancient China produced many types of beautiful works of art and different eras and dynasties had their specialties. Chinese philosophy and religion have an impact on artistic styles and subjects. There is a concept that refers to The Three Perfections and refers to the arts of calligraphy, poetry, and painting. Often these would be combined together in art. It is a concept that became important with the Song Dynasty. Ancient Chinese considered writing to be an important form of art. Calligraphers would practice for years to learn to write perfectly, but with style. Poetry was an important form of art as well and great poets were famous throughout the empire. However, all educated people were expected to write poetry. During the Tang Dynasty, poetry became so important that writing poetry was even a part of the examinations to become a civil servant and work for the government. Painting was typically inspired by calligraphy and many paintings featured landscapes of mountains, homes, birds, trees, and water. Amongst these art forms, the Chinese specialized in silks, lacquers, and pottery. One of the most notable aspects of Ancient Chinese art was the construction of the Terracotta Army. It was created for the burial of the first Emperor of China, Qin Shi Huang to protect him in the afterlife. It consists of sculptures that make up an army of soldiers. There were over 8000 sculptures of soldiers and 530 horses. Every single sculpture was life-sized and highly detailed. Each soldier has his own uniform, weapons, armor and each one even had his own unique face.

An important difference between China and many other ancient cultures is that a large proportion of Chinese artists were not professionals. Many were gentlemen amateurs who were also scholars. They were students of Confucius and his principles and were often men of literature who also published poetry. For them, art was a means to capture and present a philosophical approach to life. For this reason, the art they produced is often minimal and without false details. Art throughout most of China’s history was meant to express the artist’s good character and not merely as a means to display their skills. There were, of course, professional artists too, as there are today. They were employed by the Imperial court or wealthy patrons to decorate the walls and interiors of their buildings and tombs. Of course, there were also thousands of craftsmen who worked with precious metals and crafted objects of art for those who could afford them. However, they were not regarded as artists. In ancient China, the real arts of merit were calligraphy and painting. Even back then the art world was plagued by questions of what is and what is not art.

Because of this connoisseurship of art, more and more people became collectors of it. Texts were even printed to help guide people on the history of Chinese art with helpful rankings of the various merits of past artists. In a certain way, art became quite standardized, with conventions to be adhered to. Artists were expected to study the great masters and copy their works as part of their training. One of the most famous and long-lasting sources of advice on judging art is the six-point list from 6th-century art critic and historian, Xie He. They were originally published in the now lost Old Record of the Classifications of Painters. When viewing a painting, the viewer should consult the list to determine the merit of the painting. It is as follows:

  1. Spirit Resonance, which means vitality
  2. Bone Method, which means using the brush
  3. Correspondence to the object, which means depicting the forms.
  4. Suitability to type, which has to do with laying on of the colour
  5. Division and planning, which is placing and arranging, or composition
  6. Transmission by copying, which refers to the use of reference or models.

These rigid rules of art creation and appreciation were there largely due to the belief that art should somehow benefit the viewer. The idea or acceptance that art could and should express the feelings of the artist themselves would only arrive in more modern times. That is not to say that there weren’t the occasional eccentric outliers who ignored social convention and created works in their own, original way. There will always be these people who don’t abide by the rules of convention. There are cases of artists who painted to music, not even looking at the painting. There was one who only painted drunk and another who used his fingers and toes to paint. Innovation is always present, even in a society that thrived off of structure. One does need both, to ensure balance.


Ancient Roman Art

The topic of ancient Roman art is very broad, spanning over almost 1000 years and 3 continents, from Europe into Africa and Asia. The first record of Roman art dates back to 509 B.C.E with the first formation of the legendary Roman Republic. Roman art encompassed a broad spectrum of media, from marble to painting, mosaic and gems, silver and bronze work as well as terracotta. The city of Rome itself was a melting pot of culture and influence. The Romans had no problem adapting other artistic styles from the Mediterranean cultures that surrounded them. For this reason, it is common to see Greek, Etruscan and Egyptian influences throughout Roman art. Despite their knack for adopting other styles, there is still something very “roman” about Roman art. In fact, one of the larger challenges of art history is identifying what that is.

Greek art had a significant influence on Roman art. After conquering Greece, Rome adapted much of Greece’s culture and artistic heritage. They even imported many of Greece’s most famous works to their own lands. The Romans were quite taken with Greek culture. The Roman poet Horace even famously said that “Greece, the captive, took her savage victor captive.” Many Romans commissioned versions of famous Greek works and sculptures from earlier centuries. The Romans did not believe that having a copy of artwork was of any less value than having the original. The copies did typically have some variation though, with small changes made to them. These changes were often made with a sense of humour, turning the more serious and somber elements of Greek art on its head. For example, a famously gruesome Hellenistic sculpture of the satyr Marsyas being flayed was converted into a Roman dining knife handle. The irony here is clever, as the tool used in the flaying is now the structure itself. This demonstrated not only the owner’s knowledge of Greek Mythology but also a dark sense of humour. This shows that the Roman artist was not simply copying, he was adapting in a conscious and clever way. It this ability to adapt, convert and combine elements with a touch of humour that makes Roman art distinctly “Roman”.

The founding of the Roman Republic, as we know it, occurred after the last Etruscan king, Tarquinius Superbus, was overthrown. The Etruscan civilization is the modern name given to the civilization of ancient Italy. During this period, the Romans were governed by magistrates, who were elected annually. There was also an overarching ruling body of the state referred to as “the Senate”. Eventually, this system broke down and civil wars ensued between 100 B.C and 42 B.C. The wars ended when Augustus defeated Mark Antony in the Battle of Actium in 31 B.C. During this era, art was produced in the service of the state, depicting public sacrifices or celebrating victorious military campaigns. Portraiture depicted the common goals of the Roman Republic, which was about hard work, age, wisdom, being a community leader and a soldier. Patrons of the arts would deliberately choose to have themselves represented with balding heads, large noses, and extra wrinkles. This demonstrated that they had spent their lives working for the Republic as model citizens. The would show off their wisdom with each wrinkle and furrow of the brow.

Augustus’s rise to power signaled the end of the Roman Republic and the formation of Imperial rule. Roman art shifted here to represented the power, status or wealth of the ruler and his family. The different periods here were named after the ruling families at the time. Imperial art often referred back to the Classical art of the past, again borrowing heavily from Greek culture. The term “Classical” is often used when speaking about this type of art. It refers to the smooth lines of the work, the elegant drapery, idealized nude bodies, highly naturalistic forms, and balanced proportions. The Greeks had spent centuries perfecting this practice and the Romans simply continued the effort. There was a dynamic shift here. In this case, figures were idealized and people no longer wanted to be shown as wise, wrinkly old men but rather young, powerful warriors.

We, unfortunately, know very little about the artists making these works, especially during the Roman period. There is a significant lack of documentary evidence such as a contract or letters. The evidence we do have refers more to famous Greek artists of the past. As a result, historians will refer not to specific artists but consider them as a largely anonymous group. The Romans were an adaptive group of people and this really was their defining characteristic, when it came to art anyway. They had a remarkable ability to adapt, to take in and uniquely combine influences over centuries of practice. This is truly what made them distinct.

Ancient Greek Art

Ancient Greek culture was full of different types of art. They decorated almost every part of their lives, from their buildings and streets to the inside of their homes. Many objects were created with beauty in mind and they worked primarily with paints, metalwork, mosaic, sculpture, architecture, and pottery. Ancient Greek art was produced from about 1000BC to about 100BC. Many historians generally accept that Ancient Greece as a distinct culture ended with the establishment of Roman rule over the Greek-speaking world in about 100 BC. After this, art and other forms of cultural expression were labeled more as being Greco-Roman because they were inspired by earlier Greek examples and while the scale of work produced here was impressive, there was a significant decline in quality. Finally, the advent of Christianity brought the classical era to an end in the 5th century AD. However, despite this, Greek art had an enormous influence on the culture of many countries, from ancient times to the present, particularly in the areas of sculpture and architecture.

The art of Ancient Greece is usually divided stylistically into three periods: the Archaic, the Classical and the Hellenistic. The Archaic period is widely regarded as being the start of Ancient Greek art at around 1000 BC. The onset of the Persian Wars in 480 BC is usually taken as the dividing line between the Archaic period and the Classical period and the reign of Alexander the Great is taken as the start of the Hellenistic period, which began around 336 BC. In reality, there was no sharp transition from one period to another, and there very rarely is when it comes to the history of art. Forms of art developed at different speeds in different parts of the Greek world and innovation tended to happen slowly and through experimentation. While we can categorize artworks as being from certain periods, it doesn’t happen overnight and new styles did tend to develop slowly, particularly because there was no such thing as the internet back then.

There is also a question that relates to the word “art” itself in Ancient Greece. There is a word in Ancient Greek culture that commonly translates to “art” but more accurately means “skill” or “craftsmanship”. This word was “tekhni” and was considered an ideal that was highly regarded. Greek painters and sculptures were craftsmen who learned their trade as apprentices. They were not regarded at first as being in a social class of their own. They were considered to be more skillful than talented and It was only really in the Hellenistic period that artists were regarded as being on the level we know today. In fact, poets and playwrights were considered distinguished “artists” before painters were. Artists were typically hired by wealthy patrons rather than having their work in galleries and as such were considered craftsman for a long time.

Ancient Greek art has survived most successfully in the form of sculpture and architecture as well as in more minor arts like coin designs, pottery, and gem engraving, as these are made of materials that have more durable qualities. However, despite this, through writings and recordings, we know that the late Greeks regarded painting as the highest form of art. There was a painter called Polygnotus of Thasos who worked in the mid 5th century BC and was regarded by the Greeks in much the same way that we regard Leonardo da Vinci or Michelangelo. However, today none of his works survive, even as copies. Greek painters worked mainly on wooden panels and these perished rapidly after the 4th century when they were no longer actively protected. Nothing survives today of Greek painting aside from some examples of painted terracotta and a few paintings on the walls of tombs. Because of the eras that followed, many works from the Greek period have not survived as they were seen as pagan idols.

Even in the fields of sculpture and architecture, only a fragment of the total output of Greek art survives. The acute shortage of metal during the Middle Ages led to the majority of Greek bronze statues were melted down. Those statues which did survive did so primarily because they were buried, forgotten or lost at sea. Many of the buildings too were pillaged in war, looted for building materials or destroyed in Greece’s many earthquakes. Only a handful of temples like the Pantheon and Temple of Hephaestus in Athens have been spared.

Many of the Greek’s sculptures and artworks represented the gods, great heroes of war and the ultimate desire for perfection. Art reflects the society that creates them and nowhere is this truer than in the case of the ancient Greeks. Through their temples, sculpture, and pottery, the Greeks incorporated a fundamental principle of their culture, arete. To the Greeks, arete meant excellence and reaching one’s full potential. Their goal was to reach the pinnacle of their ability to create. It is a pity that so much was lost to history and time but we can take inspiration from the artworks and buildings that remain and strive for our own arete.